K-Pop Risers & Fallers: November 2022
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a b..
The idea behind using placeholder content is simple: dropping real tracks too early in the production process can disrupt the rhythm before the final mix hits the right note.
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a b..
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s per..
I’m still trying to pretend that Tempest’s Dragon doesn’t exist. Others don’t seem to agree with thi..
Repackaged albums are still common in K-pop, but they usually arrive a month or two after the origin..
I had to look back to see if I had written about NTX’s debut. I couldn’t remember them at all, but o..
The addition of new members and a switch in concept has revitalized TO1. Though I wasn’t completely ..
Well… this is awkward. Just a short time after Ravn left ONEUS after allegations were made against h..
Queen of K-pop BoA tends to make her return around this time of year. Most recently, she came back i..
Tempest’s Can’t Stop Shining quickly grew into one of my favorite songs of the year, and after getti..
Before I take a brief look at many of K-pop’s smaller agencies, there are a few that I have more to ..
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