The idea behind using placeholder content is simple: dropping real tracks too early in the production process can disrupt the rhythm before the final mix hits the right note.

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Open Discussion (November 13, 2022)

It’s Sunday, which means it’s time to end the week with an open discussion post!

To keep things civil, there are a few rules:

  1. Be kind and respectful to one another. Any harassing language will be deleted.
  2. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, trolls.
  3. Video/gif/image embedding is totally fine. Just try to limit yourself to a couple per comment. Otherwise my moderation filter goes crazy.

Each week, I’ll open with a question to get the conversation going. Feel free to chat about anything, but if you’re not sure what to write you can use this question as a starting point.

This week’s question:

Given changes in collaborators and producers, idol groups can have some wild swings in quality between comebacks. In your opinion, what are some of the biggest drops or rises within an artist’s singles run? In other words, give some examples of when an artist’s music went from amazing to awful or awful to amazing.

Original Article