Song Review: VIVIZ – Bop Bop!
GFriend’s disbandment was one of 2021’s most unwelcome turns. They were a consistently great additio..
Battle of the B-Sides: Pentagon, BoA, GOT7, Baekhyun, BTOB
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal ..
Buried Treasure: KAT-TUN – Crystal Moment
I don’t know whether to classify this as a single or a buried treasure under Bias List rules, but in..
Song Review: U-Know (Yunho of TVXQ) – Kimi wa Saki e Iku (You Go Ahead)
After Changmin’s Japanese solo album last year, TVXQ’s Yunho is up next. The two previously released..
Song Review: Mark (NCT) – Child
For me, Mark’s voice is synonymous with NCT’s music. Early on, he was in every unit, bringing a sens..
Song Review: Jamie – Pity Party
Last time I wrote about Jamie, she was still working under her Korean name Park Jimin. Now, she’s ba..
“Impossible”: Alison Goldfrapp Joins Röyksopp’s ‘Profound’ Return
“See the change arrive, thunder rolling / I can feel it come…” The boys of Röyksopp just love a good..
Debut Re-Evaluation: GOT7 – Girls Girls Girls
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they..
The Top Three K-Pop Songs of January 2022
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my ..
Song Review: ATEEZ – Don’t Stop
The Universe app really needs to stop releasing these random tracks so I can stop with my tradition ..
