The idea behind using placeholder content is simple: dropping real tracks too early in the production process can disrupt the rhythm before the final mix hits the right note.

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Global Pop Round-Up: August 2022 Edition

Global Pop Round-Up: August 2022 Edition

The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fan..

Song Review: Kis-My-Ft2 – Smokin’ Hot

Song Review: Kis-My-Ft2 – Smokin’ Hot

Compared to earlier eras, it’s been a dry few years for new music from Kis-My-Ft2. Their latest sing..

Song Review: Wonho – Don’t Hesitate

Song Review: Wonho – Don’t Hesitate

These Universe releases just keep on coming! Once upon a time, I thought this might be some limited ..

Song Review: BLACKPINK – Pink Venom

Song Review: BLACKPINK – Pink Venom

It feels momentous every time I write the elusive words “BLACKPINK are back.” They return so infrequ..

Song Review: Jaehyun (NCT) – Forever Only

Song Review: Jaehyun (NCT) – Forever Only

With so many members and diverse talents as part of the NCT universe, I’m surprised we haven’t seen ..

TRI.BE Make Magic With ‘LEVIOSA’ (Interview)

TRI.BE Make Magic With ‘LEVIOSA’ (Interview)

Meet TRI.BE. That stands for “tri” – as in triangle, the most perfect shape (their shape favoritis..

Song Review: Luminous – Engine

Song Review: Luminous – Engine

Rookie group Luminous has compiled an inconsistent discography so far. They debuted with the fantast..

Song Review: Lucy – Play

Song Review: Lucy – Play

In 2020, Lucy emerged as one of K-pop’s most exciting and endearing bands. Last summer’s Gatcha! min..

Song Review: BAE173 – DaSH

Song Review: BAE173 – DaSH

A few days ago, BAE173’s debut single Crush On U came on random shuffle. I forgot what a jam that so..

Song Review: CRAXY – Undercover

Song Review: CRAXY – Undercover

Whatever happens, CRAXY will always have one of K-pop’s most brilliantly bonkers debut songs in 2020..