Battle of the B-Sides: Winner, Shinhwa, Aprince, 1PUNCH, Momoland
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal ..
The idea behind using placeholder content is simple: dropping real tracks too early in the production process can disrupt the rhythm before the final mix hits the right note.
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal ..
Just a few weeks since the release of their second album, SixTONES are back with new single Kyomei (..
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most peopl..
I don’t often write about K-pop’s many OST releases, but The Boyz have filmed an entire music video ..
Cherry Bullet’s promotional schedule has been infrequent, with their last title track emerging over ..
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my ..
Nearly a year since their last album, Super Junior are back with a special single release. The Road:..
For me, February has been a dull, slow month in K-pop. But, Rocket Punch’s Chiquita hung in the dist..
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal ..
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fan..
Get all the top stories from Blogs to keep track.
Get fresh drops, exclusive music news, and concert alerts delivered to your inbox!
