The idea behind using placeholder content is simple: dropping real tracks too early in the production process can disrupt the rhythm before the final mix hits the right note.

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Song Review: ONEWE – Still Here

Song Review: ONEWE – Still Here

2022 has seen an increasing trend of male idol groups releasing fan-servicey material while some (or..

Song Review: AB6IX – Sugarcoat

Song Review: AB6IX – Sugarcoat

AB6IX have had a rough go of it, initially emerging as a heavily-hyped, post-Wanna One group who see..

Song Review: Seulgi (Red Velvet) – 28 Reasons

Song Review: Seulgi (Red Velvet) – 28 Reasons

There was a time in SM Entertainment’s history where solo releases were not common. That’s switched ..

Song Review: Treasure – Hello

Song Review: Treasure – Hello

Last time we heard from Treasure, they had re-invented their slow jam Darari into a rollicking pop r..

Battle of the B-Sides: 2PM, P1Harmony, Kara, Sistar, Mirae

Battle of the B-Sides: 2PM, P1Harmony, Kara, Sistar, Mirae

K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal ..

Open Discussion (October 2, 2022)

Open Discussion (October 2, 2022)

It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civ..

Buried Treasure: Xiumin (EXO) – Feedback

Buried Treasure: Xiumin (EXO) – Feedback

A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most peopl..

Buried Treasure: Mirae – Welcome To The Future

Buried Treasure: Mirae – Welcome To The Future

A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most peopl..

Buried Treasure: CRAVITY – Automatic

Buried Treasure: CRAVITY – Automatic

A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most peopl..

The Top Three K-Pop Songs of September 2022

The Top Three K-Pop Songs of September 2022

At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my ..